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  • Cross-Residency Project

    December 17th, 2025

    This October, the 2025 Artist Announcement Event for the Sino-French Artist Cross-Residency Programme was held at The Choi Centre Cloud House in Beijing. Guillaume Désange, Director of Palais de Tokyo, was joined by Florent Aydalot, Cultural, Educational and Cooperation Counsellor of the French Embassy in China, and Aude Urucun Brunel, Cultural Attaché, for the event. Together with Jonathan KS Choi, Chairman of the Jonathan KS Choi Foundation and key initiator of the programme, they unveiled the roster of resident artists for the 2025 cycle.

    The Cross-Residency Programme was first announced by President Emmanuel Macron of France during the opening ceremony of the 17th Croisements Festival, on the occasion of his state visit to China in 2023.

    During President Macron’s return visit to China this December, he met Jonathan KS Choi at a private dinner, where the two reaffirmed the vital role of artistic exchange between the two nations and discussed potential expansions for the programme moving forward.

    This widely anticipated cultural exchange initiative is jointly anchored by two core platforms: The Choi Centre Cloud House and Paris’ Palais de Tokyo, forming a pioneering bridge linking artistic creation across China and France. Having completed its inaugural year with resounding success, the programme has entered a new phase of deepened cooperation. As the programme’s principal supporter, the Jonathan KS Choi Foundation leverages its cultural centre to deliver comprehensive, long-term operational backing ensuring the project’s sustainability.

    Building a Full-Spectrum Support Framework to Forge a New Model for Artistic Exchange

    Running over three years (2024–2026), the Cross-Residency Programme is co-led by The Choi Centre Cloud House and Palais de Tokyo, with joint implementation support from the French Embassy in China and the Institut Français. The programme’s mission is to empower artists and creators to envision new ways of living on our shared planet, advance social transformation through artistic collaboration, build enduring cultural ties by connecting Chinese and French creators, and contribute to the broader landscape of contemporary art and global dialogue.

    In its delivery of the residency, The Choi Centre Cloud House has established a robust all-round support system. It provides French resident artists with fully equipped, tranquil living and working spaces, while actively facilitating dialogue with China’s art ecosystem. The centre arranges academic talks and workshops at leading art institutions including Tianjin Academy of Fine Arts, the Central Academy of Fine Arts, and Beijing Institute of Fashion Technology, enabling extensive, in-depth professional exchange. The artist selection process adheres strictly to principles of openness, fairness and inclusivity, offering equal opportunities to promising creative practitioners.

    Deepening International Partnerships to Explore New Avenues for Artistic Innovation

    During discussions, Guillaume Désange, Director of Palais de Tokyo, remarked:

    “Beyond fostering dialogue between individual artists, our expanded partnership with the Jonathan KS Choi Foundation enables broader collaboration between our two art institutions, and indeed our two nations. We face many overlapping challenges in our globalised world, yet our responses differ vastly. Artists shaped by distinct cultural backgrounds bring wholly unique perspectives to these shared questions — and I am greatly excited to witness this exchange.”

    Jonathan KS Choi shared his perspective:

    “Cultural and artistic exchange fosters amicable cooperation between nations. I am immensely proud and honoured to have built The Choi Centre Cloud House as a platform for grassroots international diplomacy, and I am committed to expanding its impact for years to come.”

    Daisy Dai and Roy Köhnke Named Resident Artists for the 2025 Cycle

    The 2025 resident artist cohort was officially unveiled at the event: Chinese curator Daisy Dai and French artist Roy Köhnke will embark on three-month cross-cultural creative residencies respectively.

    Born in 1990, Daisy Dai’s research centres on how space, as a form of social production, constructs bodies, desires and systems of knowledge. Her recent curatorial investigations examine botanical gardens as spatial typologies, their links to China’s early modernisation, and the production of herbal knowledge as reproductive technology. Her interdisciplinary practice explores layers of cultural memory. She shared that during her residency at Palais de Tokyo, she will collaborate with two fellow curators on research into ruality, unpacking the possibilities for cross-cultural dialogue and narrative-building across divergent contexts.

    Born in 1990, Roy Köhnke’s practice originates in sculpture, expanding into painting, text and audiovisual installation. Drawing inspiration from queer theory and science fiction literature, his work challenges conventional narratives around the body and identity. Köhnke hopes to draw fresh creative inspiration from China’s cultural heritage during his residency at The Choi Centre Cloud House in Beijing.

    Cultivating a Sustained Platform for Mutual Civilisational Exchange

    Per the terms of the programme, Daisy Dai has travelled to Palais de Tokyo for a three-month residency, while Roy Köhnke is based at The Choi Centre Cloud House in Beijing. Central to the initiative is its process-led ethos: artists are not required to complete finished artworks during their residencies. Instead, they are encouraged to fully immerse themselves in foreign cultural environments, gather creative inspiration, and forge lasting artistic connections.

    With the launch of this new residency cycle, the collaborative model forged by major Chinese and French cultural institutions demonstrates enduring vitality. It delivers invaluable creative opportunities to artists from both countries, while carving out new avenues for profound cross-civilisational dialogue, embodying the unique power of cultural exchange to advance global mutual understanding.

    Upcoming Open Studio Events

    As a key component of the residency programme, The Choi Centre Cloud House will host an Open Studio on 8 January 2026, inviting the public to engage with the resident artist’s research journeys and evolving creative lines.Separately, Palais de Tokyo hosted its own Open House on 13–14 December 2025, welcoming audiences into the working spaces of resident artists and curators to experience their site-based research and creative thinking first-hand. All those interested in contemporary art and cross-cultural exchange are warmly invited to attend.

    Artist Biographies

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    Roy Köhnke

    Born in 1990 in France, Roy Köhnke lives and works between Paris and Bobigny. A graduate of the École des Beaux-Arts de Nantes and the Beaux-Arts de Paris, his practice is rooted in sculpture, extending to painting, text and audiovisual installation. Drawing from science fiction, he proposes alternative narratives that disrupt mainstream understandings of the body. Employing technologies such as MRI scanning and artificial emotional intelligence, he creates transformative installations that reimagine bodies fragmented and isolated by Western science and culture. These digital media are interwoven with tactile sculptural and textile elements — steel structures, clay and latex forms, as well as cyanotype-printed denim. Köhnke specialises in site-specific works, reconnecting the physical details and narrative threads of the body to its surrounding space, framing the human form as an independent landscape in its own right.

    Selected exhibitions include:Solo show Fleur, Feu at Crédac – Centre d’Art Contemporain d’Ivry (2025).Solo show La Belle sucette ou comment partager la terre at Le Grand Café, Saint-Nazaire (2024).Group exhibitions: Publiek Park (Brussels); Éprouver l’inconnu at MOCO Montpellier (2025); TRANSGALACTIQUE* at La Gaîté Lyrique, Paris.

    His project Magnetic Tendencies received support from the Fondation des Artistes in 2025. Recipient of the 2022 ADAGP Revelation Prize, he exhibited the work It is stronger than I thought (2024) and took part in the group show F(r)ictions of Intimacy at CALM Centre d’Art, Lausanne, in January of the same year.2023 saw his solo exhibition Love Bugs as a Spit on Dry Land at SHED Centre d’Art Contemporain, Normandy, alongside participation in the group show Antéfutur at CAPC Musée d’Art Contemporain, Bordeaux. In 2022, his work featured in Tactique du rêve augmenté at La Verrière, Fondation Hermès, Brussels.

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    Dai Xiyun

    Dai Xiyun is an independent curator based in Beijing. Her research interrogates the production and disciplining of space, examining how spatial environments shape bodies, desires and knowledge systems. Her recent focus lies on botanical gardens as architectural typologies, their ties to China’s early modernisation, and herbal knowledge as a form of reproductive technology. Her curatorial practice prioritises co-production and site-specificity, deploying archival research and fieldwork to build dialogue between contemporary art and cross-disciplinary fields.

    She holds a Bachelor’s degree in Art & Design from the Central Academy of Fine Arts and a Master’s degree from the Dutch Art Institute (DAI).

    From 2012 to 2014, she worked at MAD Architects, overseeing media strategy, exhibition programming and publications. In 2016, she became a co-operator of Institute for Provocation (IFP), an independent art space, managing its international residency programme and curating exhibitions and public events. She joined Taikang Art Museum (formerly Taikang Space) as Curator in 2019, a role she held until early 2024, where she organised numerous exhibitions and managed the museum’s design coordination.

    Key recent curated projects include:

    Plant Journeys (co-curated, 2025); Nature Through a Glass (2025); Plant Expeditions (2024); and the multi-panel forum series Space: Embodiment and Publicness, featuring the sessions The Room as Shell and Frame, Space and Mental Illness, and Meeting in the Public Square (co-curated, 2022).

    Dai was shortlisted for the Hyundai Blue Prize 2022 and contributes regularly to international art publications including Artforum China, LEAP Magazine and Ocula.

    Image courtesy of Choi Centre · Cloud House